Eddie Palmieri - Lo Que Traigo Es Sabroso.rar |top| Now
Released in 1964, Lo Que Traigo Es Sabroso is the third studio album by "El Maestro" Eddie Palmieri and his legendary orchestra, La Perfecta
Palmieri's genius was his ability to seamlessly fuse the complex harmonies and improvisational daring of jazz with the electrifying, dance-driven polyrhythms of Afro-Cuban and Puerto Rican music. In 1961, he formed the groundbreaking group "La Perfecta," a band whose unconventional instrumentation—featuring a piercing frontline of two trombones and a flute, rather than the traditional trumpets—created a "trombone sound" that was both gritty and sophisticated, described at the time as "the band with the crazy roaring elephants". Over his career, Palmieri would go on to win 10 Grammy Awards, becoming the first Latino to ever win the prestigious award. His music, often infused with social and political commentary, was not just for dancing; it was a powerful statement of Afro-Latino identity.
Following the monumental success of his 1960s trombone/flute combo (often referred to as La Perfecta ), Eddie Palmieri refined his approach. By 1970, the musical landscape in New York was changing, demanding a heavier, more aggressive, yet sophisticated sound. Eddie Palmieri - Lo Que Traigo Es Sabroso.rar
His work on this album redefined the role of the trombone in Latin music, transforming it from a background harmonic instrument into a fierce, leading voice. Digital Preservation and the Modern Collector's Market
An album is only as good as its lead singer, and Palmieri had the best. Ismael Quintana’s smooth yet powerful voice was the perfect match for the aggressive band. His ability to improvise lyrics ( soneos ) kept the tracks dynamic and alive. Heavy Percussion Released in 1964, Lo Que Traigo Es Sabroso
: If this is an album or a collection of music by Palmieri with this title, it likely showcases his skill in creating engaging and rhythmically complex pieces that are characteristic of his style. The title itself hints at the rich musical flavors or tastes that listeners can expect from the music.
While many of Palmieri's earlier works were high-energy dance records, this album is noted for being a more . His music, often infused with social and political
: A standout track described as a "lordly, devastating workout" for the brass, proving that even at a slower mid-tempo pace, the band maintained incredible intensity.
The album's creative freedom paved the way for the development of Latin jazz and the Salsa movement of the 1970s 1.2.5.
Palmieri's piano playing was forward-thinking, mixing traditional montunos with freer, jazz-influenced lines, sitting atop an exceptionally heavy percussion section.
Palmieri’s piano playing on this record is characterized by heavy left-hand syncopation and a willingness to introduce dissonant chords. He treated the piano not just as a melodic instrument, but as a primary percussive engine. When combined with the roaring, street-hewn harmony of Barry Rogers’ trombone, the album laid down the blueprint for urban salsa dura (hard salsa).